Lucia, Lucia
I just finished watching the movie, I saw it at the blockbuster store and didn’t want to rent it because I thought it was really bad, however, I just rented it anyways…. I am not going to tell you what this movie is about, but what I think about the movie (I have never studied cinema or anything, so, please tae this just as a comment from an excentric person)This movie has the lost mexican touch from the seventies, with the political yell from this decade (2000-2009). Funny indeed, but also dramatical andsuperficial, with the magical mexican touch of surrealism (which Jodorowskyexcelled in his films, shooted in Mexico, like El Topo and Holy Mountain)The political yell I am referring here is the one that has come out in cinema in mexico this decade, in clips that include: La ley de Herodes (Herodes’ Law)among others. It is NOT a Hollywood movie, so please do not expect a huge budget moviewith huge SFX, instead a more tight budget movie, with a nice story to tellThis movie is once again the reflection of the mexican society:First of all: The magic and beauty of the unbeauty that comes from surrealism, which is the same as Mexico and it’s people, how they live and think, which is a surreal way of thinking, and as most of us think surrealistic, the mexican culture and society tend to be more surreal (giving you a fantastic photography of the horrible but beautiful)Secondly: The political yell; this is because of the oppression and corruption mexican people had to suffer all these years, where they just work oppressively receiving nothing but LESS buying power and MORE frustration (this is related once again to surrealism), where only a few are priviliged (this is a lot more notable when you go south of America) Political screams is an escape valve to that oppression, and this movie is one of that kindIf you have had the chance to see mexican cinema, this is a nice example (not the best, though) to watch it. I may just dare to say this movie is a lot like the french cinema, only with less introspectiveness (as the french cinema tends to be [not all of it of course, but it’s a cultural thing, which gives a flavor to each cinema of the world])Well… all in all this movie is a Superb, with brilliant direction and photography, however, not very appreciated by some critics….. …by the way, I almost forgot to tell you, I loved the way the movie begins.
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October 5, 2009
Fast Food Nation
Richard Linklater has made a niche for himself with a diverse range of highly original, intelligent and interesting films that are largely dialogue driven. Some are idiosyncratic variations of popular genres like Before Sunrise and Before Sunset. Waking Life was cutting edge and in a genre of its own while School of Rock was a mainstream hit in the teenage comedy genre.In a sense, Linklater is like Michael Winterbottom. They have very different styles in film-making, but both tackle vastly different projects from one film to the next, creating impressive bodies of work. Any Linklater film is going to be anticipated by fans of his work, and Fast Food Nation does not disappoint.Based on Eric Schlosser’s non-fiction book of the same name, the film is a fictionalisation co-written by Schlosser and Linklater. The structure of the film is unconventional. It is complex, depicting a number of social, economic and human issues with much compassion. Though the characters’ paths cross (or come close to it) at different stages, the film is not exactly an ensemble piece. The different stories don’t join up in a contrived manner we often see in this genre. Sections are pieced together with a great line up of actors, such as Patricia Arquette, Bruce Willis, Ethan Hawke and Kris Kristofferson, each of whose characters are interesting enough to carry the film alone.The truth behind the burgers we eat is revealed through Mickey’s Burgers Marketing Manager Don Henderson (Greg Kinnear) as he attempts to discover the source of faecal contamination of the burgers. Amber (Ashley Johnson) is the conscience of the film. As she discovers the ethics in producing the burgers she smilingly dispenses to the public, we share in her transformation.Catalina Sandino Moreno was terrific as the Colombian drug mule in Maria Full of Grace and again shines in this film as the desperate and indignant Mexican illegal worker. Paul Dano’s role as a Mickey’s worker is small but much more interesting than his performance in the mediocre Little Miss Sunshine. Though the story is American, there’s relevance to Australia with the proliferation of fast food chains, the new IR laws, and cheap imported labour.The film is largely character-driven but be warned that there are some gruesome scenes towards the end scenes that should and need to be seen. The film is almost a companion piece to Morgan Spurlock’s Super Size Me. Whereas Super Size Me was an entertaining documentary, it wasn’t as hard-hitting as this fictionalised semi-satirical look behind the scenes. Has anyone else noticed that McDonalds is blitzing us with marketing, just as they did in the lead up to Super Size Me? Fast food companies are afraid of this film, and should be. It is well worth seeing.
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October 3, 2009
Audrina Partridge Almost Looses a Boob
Audrina Partridge is everyones favorite nobody in Tinseltown. She’s cuter and has bigger titties than Heidi Montag not to mention she doesn’t try as hard to be a slut for cameras. Maybe it’s the blond hair that makes Heidi such an idiot. Audrina I see as a girl with a bit more class but I never take my eyes off of her melons. Just take a look at her big bouncy juggs as it almost plops out of her dress here at some sort of award gathering. Celeb Heat has all the sexiest starlet pics you need to see so come by today to check it all out.
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October 2, 2009
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