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Garcon Stupide (Stupid Boy) is an emotionally-packed punch. The film and it’s lead character, Loic, had me hooked from the start. With the exception of a few slower scenes, I thoroughly enjoyed the film from start to finish. A few laughs, intense thought and emotion, and a few tears were generated from this well directed and acted film.The filming techniques and styles, and the soundtrack selections helped me score this film. The direction and unique filming combined with some classical scores and the storyline all fit perfectly together.The story itself follows the plight of Loic, a young handsome 20-year old who works in a chocolate factory by day, and entertains fellows of all ages by night for extra cash. In the film, he has a close loving friendship with a girl, Marie. He also develops a relationship of trust with a man he meets on the Internet, Lionel. The 2 never have sexual relations, just conversation about life. Something interesting to note: we never see Lionel. Or do we at the end? You decide.The story line develops around Loic’s desires to be someone - a photographer, a gay man, …? He seems to have lost direction in life, and is unable to trust/confide in the 2 people who seem to care for him most, Marie and Lionel. When Marie finds a boyfriend, you can clearly see the upset and anger in Loic. He withdraws from Marie, and Lionel, and neither situation has a positive outcome.In the meantime, he develops an infatuation of sorts with a local soccer player, who is successful, married and with child. Loic sees a life he wants for himself.Although this is a French film (with English subtitles), we have young people like Loic all over America. And we have adults who take advantage of them - and we have adults, like Lionel in this film, who truly can be a trusted friend. One of my favorite lines spoken by Lionel to Loic is “You can be interested in someone without wanting to f**k them”. This statement rings true for so many, both those near the age of 20, and those near the age of 40.This is overall, an exceptional film - very good acting, great soundtrack, unique camera angles and film styles, wonderful story, and well-directed.

At last, a British movie with a degree of ambition, even if the ambition remains unfulfilled by the clip’s fade-out. Basically, this is the old tale of the blocked male protagonist becoming enervated by an encounter with his dark side before ultimately realising the error of his ways (see also FIGHT CLUB). As a meditation on machismo and the male psyche, this certainly passes muster, with the dark side manifestation Billy (a truly scary and, hopefully, career-defining performance by Marc Warren) proving that the devil really does have all the best tunes (literally, as the soundtrack really rocks when the characters get down to their darker doings). However, the invention and insight runs out around the halfway mark leaving us with some sub-Georges Bataille musings and a conventional wrap-up which seriously detract from an interesting set-up which promises much but delivers merely a light cuff when a sucker punch is needed. Still, it’s dark, challenging and occasionally disturbing work (the corruption of innocence theme is particularly well handled, as is the direction of all the child actors), and the explicit sexual detail will almost certainly result in a truncated or unrated version being released Stateside. On the basis of this, director Penny Woolcock and saturnine star Marc Warren look to be emergent talents well worth watching. Recommended, albeit with reservations.